It is the charm of this film to see these apparitions float back and forth between imagination and reality. The tablecloth on the table flutters in the wind and the rabbit clouds are just some of these visual effects. Jeunet uses highly colorized and tinting to his scenes to warm and create this fairytale world of Amelie.Ī street in Montmartre becomes golden and timeless compared to the photograph of the real street. It continues to express new art directions with this film. Adding further to this, the way that the film is artfully put together, makes it very appealing and it has a timeless quality to it, tapping into the romanticisation of French culture that permeates the West. Paris had the first photograph, the Daguerrotype and also, the first film movie. Amélie is a beautiful and quirky film, a bit more fast paced and whimsical than other French Films and because of this I think it was more accessible to mainstream audiences. This has been his criticism, too.Īn analysis of what the film teaches us about the city of Paris, is the beauty of Paris daily life, places and streets has inspired painters, writers, photographers and filmmakers in the past and continues today. He has a cartoonist background, not film study. Perhaps to position his film as a postmodern fairy tale, Jeunet takes the tragic death of Lady Diana, the premier fairy-tale figure of our era, as a kind of. It is a surreal film a fantasy world, a deliberate retro look, half-way between the Belle Epoque such as the Renoir painting and 1997, the time of Princess Diana’s death in Paris. It is the story of the young good-hearted working woman in Paris, and a French love story. This film became a success because of director Jeunet’s personal connection to Paris as a French filmmaker, talking about the odd “likes” and “dislikes” of the French people, exploring the corner café daily life and culture. The French culture of loving good food, talking and living in city Paris apartments where neighbors interact with a variety of characters is a French story. Martin Canal, the Windmills of Montmartre, the local Paris café are all still the center of social daily life and drama. Famous landmarks, such as Sacre-Coeur, the Metro, the St. Montmartre, a bohemian historic district for artists and writers, fits for the cast of characters in this story. The Café des Deux Moulins, the Two Windmills, is a real café and street address in Montmartre. The film locations of the city of Paris are key elements in this love story.
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The film “Amelie” is a good medium to study the city of Paris. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre.
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The bar in which she overhears the result of her good deed is just to the south, Le Verre a Pied, 118 bis rue Mouffetard. Amelie shows Dufayel Nino’s Scrapbook “Mystery Man” of Photo BoothĬreative Commons, Amelie. Amélie film location: Amélie returns the box of mementoes: La Verre a Pied, Rue Mouffetard, Paris.